Chapter-(12) of my New Blog, Driving through NH-3, From Udaipur to Jispa Via keylong

Chapter-(12) of my Blog

Driving through NH-3, From Udaipur to Jisspa Via Trilokinath—Moosing---Shansha---Tholang---Tandi---Keylong---Jisspa

Day—(16), 25th July 2015

Today after satisfyingly visiting Udaipur and Trilokinath, we drove back towards Keylong town. We drove back on the same route through which we had driven the previous day. I.e.via Moosing---Shansha---Tholang---Tandi. Once we reached back at Tandi village, we drove straight to the Petrol Bunk and refilled the fuel to its full capacity, because knowing well that the next Petrol Bunk would be at Leh City, that is 365 Km away from Tandi.

After refilling fuel we drove towards Keylong and Jisspa.

Keylong

Keylong is situated at an altitude of (10,100 ft) above MSL and is 9 Km from Tandi. It has a population of (14,128).

Entrance to Keylong town

Keylong is the district head quarters of Lahaul and Spifi. Keylong is situated on the main trade route between the Rohtang and Baralacha passes above the Bhaga river. Being the district head Quarter, most of the government offices are located at Keylong. This is also the hub-centre of all commercial activity with a regular bazaar.

Aerial view of Keylong town from different angles 

Keylong is the most populated and busy village of the Lahaul valley. As far as communication facilities are concerned, there are police and telegraph radio nets, telephone exchange at Keylong and postal service throughout the valley. There are three light-TV  transmitter has been installed one in Sumnam village, second in Baring & third in Udaipur. In the past Keylong was home for the Moravian missionaries.

During summers Keylong is very green looking refreshingly striking against a backdrop of brown hills and snow clad peaks. Because of this panoramic setting Lieut. Col., the Honble C.G. Bruce, M.V.O. likened Keylong to a barbaric jewel--a roughly cut emerald in a bronze and silver setting. There can not be a better simile to describe the lush green charm of Keylong during summer's. "It is an oasis of green fields and willow planted water courses surrounded by brown hills and snowy heights".

There is a Cricuit House, a P.W.D. rest house, a Sainik Rest House, a Tourist Bungalow and many hotels which provide accommodation to the tourists. Several eating joints and restaurants are also there for every taste.

Three of the best known monasteries Tayul, Kardang and Sha-Shur are within a few kms. from this village. Tourists may also like to visit the temple of the local deity Kelang Wazir in the house of one Sh. Nawang Dorje.

Aerial view of lush-green Keylong town across River Bagha 

On the opposite side of Keylong town, at the foot hill of opposite side tf Keylong town across the Baga Rive there is a Keylong faces the famous Kardang Monastery, the largest and most important monastery in Lahaul, of the Drukpa sect of Tibetan Buddhism , which is on a slope across the river from Keylong.

Sights near Keylong include the Kardang, Shasur, and Tayul monasteries, all within a few kilometres of Keylong. There is also a small temple dedicated to the local deity Kelang Wazir in the house of Shri Nawang Dorje that may be visited upon arrangement.

The annual Lahaul Festival is held here each July with a big, busy Market and a number of cultural activities. In end of August it became very busy

History of Kardang, Shasur, and Tayul monasteries

The monasteries are believed to have been built in the 12th century and houses a large library of Buddhist literature, including the Kangyur and Tangyur scriptures in the Bhotia or Sherpa Language. There is also a good collection of fine Thankas, musical instruments such as lutes, drums, horns, as well as old weapons. There are colourful frescoes and murals.

Aerial view of Kardang Monastery across River Bagha 

The Kardang monastery was in ruins until it was renovated in 1912 CE by Lama Norbu Rinpoche (died 1952), who, with Lama Kunga, turned it into "a proper educational and training establishment."

In the first room is a 4 foot (1.23 metres) high silver Chaitya or Chorten preserving the skull and ashes of Lama Norbu. To the right of it are statues of Padmasambhava  and Tara Devi, and in the back, one of Tagden Shakyashree, guru of Lama Kunga. 103 volumes of the Kangyur  are kept here, while behind are 64 Tantra books on various subjects. The second room is the main Prayer Hall with an eleven-headed statue of Avalokitesvara. On a high pedestal at the right are some of Lama Norbu's castoff garments and with a skull in front. In the third room is a six foot wooden prayer wheel with a brass bell on it. There are now about thirty monks and nuns (chomos) in the monastery, and two British nuns have studied, meditated, and been initiated in recent years.

The monks and nuns have equal rights, and the monks have permission to marry. The monks spend the summer with their families working their fields, in the winter they return to the monastery. There is a huge prayer drum in the monastery with the sacred six-syllable mantra, “OM MANI PADME HUM”, written a million times on strips of paper. It also has a Narbo as its head Lama.

Because the monastery is on the southern bank of the Bhaga River, it gets very little sun, while Keylong on the opposite side gets far more as it is facing south. Because of this the Moravian Christian mission, which was established here in 1857, was later moved across the river to Keylong.

Inner View of Kardang Monastery

Modern story by monastery head Lama Paljor Larje.

The old monastery temple was fully destroyed by rain at 1998. The new temple was rebuilt at 1999-2009 by present monastery head Lama Paljor. The previous monastery head - Lama Apo rinponche came from Tibet about 1959. He became monastery head in 1970. Lama Paljor larje was his disciple since he was 13 years old. Khantse rimponche lead the monastery when Apo rimponche died in 1981. Lama Paljor Larje lead the monastery from 1999 onward.

Exterior view of Kardang Monastery

The new temple has two floors. Each floors have one room.

The ground floor is place for laymen. It has a number of very old statues and paintings. When a laymen enters to temple he sees three main statues on the front: Buddha Shakjamuni statue on the middle, Buddha Vajradhara on the left and Buddha Padmasambhava on the right. On the right side of the main the laymen may see the statues including the following:

Buddha Amitabha

Tara

Maha sidha (siddha) Shakya Shri

Marpa - great buddhist text translator

Yogin Malarepa

Gampopa

Lama Norbu rinpoche - both statue and stupa with his relic

There are some of statues on the right side:

Buddha Avalokiteshvara

Heruka deity

Vajrayogini

Maha sidha (siddha) Shakya Shri

Yunjin rinpoche

Kunga rinpoche - both statue and stupa

Apo rinpoche - stupa, previous monastery head

Painting The temple has a number of old cloth paintings: Tibtain tradition painting, Kalachakra deity painting, Buddha Jataka, Melorepa stories and so on. Molarepa story is estimated as 400 years painting.

The ground floor ceiling has a number of tradition painting compositions. The Guru-yoga mandala on the right and Chakrasambara mandala on the left surround the Buddha Akshobhya figure. This painting as well as all new paintings in and outside the temple were made by Lama Paljaor himself, who is a master of traditional thangka painting.

The monastery has a number of very old books and commentaries.

Breath taking Aerial view of Keylong town

By the time we finished sight seeing around Keylong and its Monasteries, it was evening time. For the night we didn't want to stay at Keylong, because it’s very busy and noisy town. So, after finishing our evening tea and eats at Keylong, we drove straight towards Jispa village which is comparatively quieter and peaceful village. We had planned to stay for the night here at Jispa itself.

Jispa

Jispa is situated at an altitude of (10,500 ft) above MSL and has a population of 332.

Entrance to Jispa 

This beautiful spot is 22 km away from Keylong and 4 km ahead of Ghemur. The village is situated at the junction of two nullahs with the main river Bhaga. Jispa has a very large dry river-bed, a rarity in Lahaul.

Just on the edge of the river Bhaga is a small PWD rest house. Near this the river is shallow and plenty of trout fish can be caught during summers. The place is virtually an angler's delight. Good juniper plantation is around this village.

Jispa is usually promoted by travel operators as a necessary halt on the way to Ladakh when coming from Manali. Not only are the subsequent distances to Leh and Tso Moriri too much to cover on the same day, but also to enable travelers get acclimatized to the high altitudes of the region. Jispa is located at a height of 10,890 feet above sea level in the Himalayan state of Himachal Pradesh.

Breath taking Aerial view from Jispa 

To be fair to this village, it could well be a destination in itself. When you sleep at night, and all you hear is the Bhaga river along which this village is located, you will know the reason why. But for an occasional vehicle passing by, including some oil tankers at three in the night, Jispa is as quiet as you can hope an inhabited place in India to be. With views as beautiful as you can wish them to be.

You have not only the river flowing through that is  originating from “Suraj-tal” near the Baralachala Pass, a few hours drive further on, but the surrounding peaks covered with mist and clouds creating a postcard picture look. Step out early morning for a walk with a drizzle on your face, and soak in the rich greenery around, and wonder why few recommend Jispa for a holiday. You could spend days here, walking along the river or picnicking at spots of your choosing within a few hours driving around. You can also visit the Jispa Rural Museum housing reminders of the history and way of life of the residents of the Tod Valley of the Lahaul district (where Jispa is located), and also buy handicrafts made by local women; we missed seeing it as it was closed.

Chortens (stupas)

 Our Butterfly tinny car

As common all over Ladakh, Jispa too has some Buddhist chortens (stupas) conveying the usual sense of serenity. As do the Buddhist flags fluttering all over. And then there are the Ladakhi style steps cut on a log of tree that promise to be a stairway to Heaven, if you can climb these without support.

Mountaineering and Allied Sports       
 Hostel Building at Jispa

By the time we reached Jispa, it was already evening time and was getting darker, so we thought it’s better to check in immediately at any of the affordable place or hotels. We were informed that there is a Hostel of the Himachal Government's and the name of the hostel is “Himalayan mountaineering institute”. This hostel is adjusant to the main highway road itself and it has rooms as well as Dormitory. The names of the  official in-charge of the Himalayan mountaineering institute at JIspa were Mr. Rudra Singh and Sri Ramnaath. Both of them were very cordial, humble and helpful.

Close-up pictures of cluster of Mountaineering Bikes 

There at the hostel we met Ranjan and Team from Mumbai, who were getting ready to climb Yamnu Peak. There was another Cyclists-team of 21 cyclists from Mumbai who were adventuring by cycling all along  to Leh.  Hats off to these tough adventurers. 

Enthusiast cyclists peddling through toughest terrain to reach Leh

My next chapter-(13) of my Blog will be uploaded soon. 

Chapter-(11) of my New Blog, (Gurudatt Kamath & Ashok Parimoo's) Journey from Koksar to Leh on NH-3

My New Blog is driving through NH-3

Starting from Batal to Leh Via Grampoo, Koksar 

Day (13), 22nd July 2014.
Now this Blog of mine will cover the details of our (Gurudatt Kamath & Ashok Parimoo's) journey, that was driven through NH-3, (i.e. the National Highway that runs from Manali to Leh). But we joined the NH-3, at Koksar  village that comes after Rohtang Pass, (Towards LEH).

The most scariest, adventurous, treacherous and the toughest motor-able terrains that we drove through, was the (Hindustan-Tibet Road, NH-21 and Kaza Grampoo road via Kunzum La Pass). It was an utmost, enchanting endurance test of man, machine and the sprits?

So-far we drove through

(1)-NH-21 (Hindustan-Tibet Road) i.e. (from Chandhigar to Kaza Via Shimla,  Kinnaur valley and Spiti Valley).

(2)-And then driving through NH-  (From Kaza to Grampoo via Kunzum La Pass Via Batal and Chandartal Lake, Chooti Dhara Nalla, Badi Dhars nalla and Pagal Nalla).

Now we would be driving on HN-3, i.e. through the (Dev-Bhumi); the land of Gods (Himachal Pradesh) to the roof top of the world (Ladakh) reign that’s called  “The abode of the dancing Dragon. 

Because this formidable high altitude road is so hazardously breathless and climatically the most un-predictive. But at the same time, the thought of braving this dangerous terrain, the world has ever offered, definitely pumps more adrenalin into the thrills of the adventurer’s mind, body and soul. 

As per my driving experience this road of NH-3 (From Manali to Leh) is though tough but it is definitely not as treacherous and hazardous as NH—21, (Hindustan-Tibet Road) or the Kumzum La Pass road. 

PROFILE OF OUR DRIVING ROUTE MAP ON NH-3

Now our further incredible and the adventurous journey starts from Grampoo to Jispa Via Koksar---Sissu—Gondhla---Tandi-----Keylong---Patseo----Jispa. 

Road Distances                                                                     Altitude

(E)-- From Grampoo to Koksar   = 06 Km              Koksar        = 11,000ft
(F)-- From Koskar to Sissu         = 015 Km             Marhi          = 10,890ft

(G)-- From Sissu to Tandi           = 085 Km             Sissu          = 9,058 ft

(H)-- From Tandi to Keylong       = 009 Km            Tandi           = 8,491ft

(I)-- From Keylong to Patseo      = 048 Km             Darch        = 10,000ft

(I)-- From Patseo to Jispa           = 010 Km             Jispa         = 11,000ft

Once we crossed the Grampoo village we had a big sigh of relief. Because the treacherous and the most nightmarish stretch of the road was finally over. A little further from Grampoo village road, finally we joined at a NH-3 junction of the road, where the Left side of the NH-3, leads to Manali via Rohtan Pass (13,500ft) and the Right side at the junction of HN-3 leads to Leh via Kookar etc.

Rohtang Pass is at (13,500 ft) above MSL. This pass is an important milestone on the Manali – Leh route, as it is the gateway to the Lahaul-Spiti valley, as well as for Ladakh valley.

Though we didn't drive through Rohtang Pass, but I just want to write a brief introduction about Rohtang Pass.

ROHTANG PASS

Rohtang pass (altitude 13050 feet) separates Kullu, from the exotic charm of the Lahaul valley. In Tibetan Rohtang means "a heap of dead bodies" and the pass stands true to its notorious name. Every year it must take toll of life and property. This is so because after 11 A.M. sudden blizzerds and snow storms calledBiannas are only to be expected. The pass becomes all the more hazardous to negotiate due to frequent avalanches.  The summit of the pass turns into lush green meadow in summer studded with violets and varieties of wild Himalayan and Alpine flowers. Butterflies of numerous and rare kind and varigated hues also draw the attention of' the visitor.  At the highest point on top to the right as one faces Lahaul, is a small stone enclosure and a water spring which is the principal source of the river Beas; .the other, Beas kund is at the head of the Solang nullah. The place gained religious significance because of sojourn of Beas Rishi (the famous Vyasa Rishi, author of the epic Mahabharata. To the left of this pass is the little lake Sarkund. On the 20th Bhadon (early September) every year a large number of people visit this lake with the belief and hope that an early morning bath in it will cure all their ailments. Almost directly opposite and obviously only a few kms away is the well defined Sonapani glacier. Slightly to the left are the twin peaks of Gyephang La, seats of Pre Aryan Himalayan gods Jamulu and his younger brother Gyephang. These peaks are snow streaked and snow covered. The higher peak is 5856 m. high. Gyephang La can be seen from Kunzom, Pangi Lahaul and from Serchu plains across the Baralacha La. The higher of the two peaks can be seen on a clear day from as far as the Ridge in Shimla. Himachal tourism buses and taxi operators of Manali provide frequent and efficient service to the tourists in the open season. Tea and snacks are available on the top. However for food one has to halt at Marhi.

This road provides a rich variety of experiences, stunning scenery, remote monasteries and a wonderful variety of people - Tibetan, Indian, Nepalese, local ethnic tribes and nomadic leaders. It has many picturesque valleys, lakes, villages, rice paddies and orchards on the

way. This route was once the important route, which was part of the ancient trade route between India and Central Asia, that wends its way through  the breathtaking mountain views.

KHOKSAR

Koksar is about 6 Km from Grampoo village, situated at an altiitude of about (11,000 ft) above MSL and has a population of 650 people. It's the very first village and gate way to Lahaul. It is situated on the right bank of the river Chandra. There is habitation on the left bank also. H.P.P.W.D. rest house and Serai (Doormatery) are on the left bank. Koksar remains covered under snow during winters. This village is surrounded by high mountains and is avalanche-prone. Avalanches can be seen piled up even near the river bed. During winters Koksar is the coldest inhabited place in Lahaul. The river freezes during winters and is covered with snow to afford regular passage for human beings as also for mule traffic. Just 6 kms ahead of Koksar towards Manali is Gramphu from where a diversion to the left leads to Kaza. During summers rich growth of alpine flowers, beautiful potato fields and numerous water channels spell bound the visitor. Herds of goats and sheep can be seen grazing around. This may be of interest to the reader that Khoksar was on the old trade route from Indian plains to the West Asia.

Now the HN-3, goes steep down hill till we reach Koksar village. At Koksar there is a police check post that verifies and enters in a register,  our personal as well as our vehicle documents. And after the verification, we were allowed to drive further. Even foreign tourists have to eneter all their personal and Passport details

Police Check Post, where it is mandatory to enter all personal documents.

 Distant View of the Koksar Village across Chandra River

Koksar is a small village with mushroom of small eating shacks and it has a chilled Beer Shop also.  Since we too were hungry, we ate our brunch of omelets, Momos and relishly sipped hot refreshing coffee. 

There is a Beautiful Monastery at Koksar that is nestled into a gorge  of a mounain.

Distant Exterior View of the Koksar Tholing Gumpa

Interior View of the Koksar Tholing Gumpa

 From Koksar we drove starlight to Sissu village which is about 15 Km away from Koksar. 

SISSU

This village is situated on the right bank of the river Chandra at an altitude of 3130m. The village is located on abroad flat ground above the Chandra river. Good plantations of willows and poplars on both sides of the road are so dense during summers that at places even the sun rays fail to penetrate. The terraces are green with potato, peas, barley and buck wheat. Wild roses of white, yellow and red hues with expanses of alpine flowers deck the slopes in an unforgettable feast of colours. There is a swampy patch on the river side where the Siberian wild duck and geese halt when on their way back from the Indian plains. Snow trout is also available in the village near the river side.  Behind the ridge on which the village is situated is the famous and most propitiated Gyephang peak. Lord Gyephang or Ghepan is the presiding deity of Lahaul--the protector of people. In olden days people of Lahaul fought, their wars under the banner of Lord Gyephang. The temple of Lord Ghepan is in this village. The temple is not open to outsiders. Once in two/three years the deity is taken out of the temple in a procession.  A little short of the village is the Sissu nullah which flows down a narrow gorge from tho Gyephang peakglaciers.  Across the river one can see the beautiful Sissu fall cascading over the cliff from the high valley between the two mountains. A suspension bridge over the river provides easy access to this picturesque fall. Very good photograph of the fall can be had from the road just short of the P.W.D. rest house. Distant View of Sissu Waterfall Two fountain slabs dating back to 1l th or 12th C. AD can also be seen in this village.

At Sissu we were amazed and saddened  to see one poverty stricken middle aged couple, who were ploughing their small patch of agricultural land by themselves. May be they were so poor that they couldn't even afford a cow or a Bull to plough their small piece of land. It was so heart-wrenching, pathetic and depressing to see such hardship and poverty.

GONDHLA

Aerial view of Gondhla Gumpa The village is situated at a distance of 18 kms from Keylong, the district headquarters along the right bank of the river Chandra. Situated at an altitude of 3160 m. on a fairly level expanse of land this hamlet is large as compared to other villages in the valley. The village is surrounded by thick foliage of poplars and willows. From Sissue to Gondhla land is cultivable and fertile. Between these two places the whole mountain side from the peaks over 6090 m. to the river bed below 3050 m. is awe-inspiring. Glaciers and snowfields overhanging the precipices make them one of the finest in the world. House of the Thakur of Gondhla, called the Gondhla castle or fort House of the Thakur of Gondhla, called the Gondhla castle or fort, attracts a large number of tourists. The Present Thakur Fateh Chand would like the tourists to believe the Fort is about 20 generations old, but according to the District Gazateer of Lahaul and Spiti the fort was built in 1700 A.D. by Raja Man Singh of Kullu whose influence stretched upto the Lingti plains beyond the Baralacha-la. This Raja also married a daughter of the Gondhla family to cement his ties with the Thakur.  The castle is an example of the indigenous timber bonded stone style of the Western Himalayas consisting of alternate courses of stone and wooden beams and cemented together with wet clay. This seven storey high edifice is topped by a wooden verandah which runs round the upper storey. This is some thing like the Swiss Chalet. The staircases in the building are partially notched wooden logs. The building has many apartments which can comfortably accommodate more than 100 people.  The fifth storey was exclusively meant for the Thakur. It consisted of personal prayer chamber and a verandah from where the Thakur used to listen to the public and later pronounce his judgements. Once the walls of the prayer chamber were painted all over in stone colours. Forty volumes of Kangyur can still be seen littered around and carelessly stacked on a wooden rack. Ganesha as the main deity carved on the facade of the prayer chamber. In one of the prayer chambers the window connecting the outer room is an exquisite work of wood carving. The 'jali' (net) carved on a single piece of wood looks exactly like the cane work.  the Gondhla castle / fort Close up fof Gondala Castle Raja Man Singh of Kullu is believed to have stayed in the sixth storey of the-fort in 1720 A.D. when he was on his way to Trilokinath Temple in Udaipur. Remains of the kitchen and utencils can still be seen in the room. Close up fof Gondala Castle Several weapons including bows, arrows, quivers, catapults, guns and canons beside other articles of antique value can be seen rusting in the apartments. Age old costumes, furniture and idols are also strewn around in a state of neglect. The Thakur is negotiating with the Department of Language and Culture of Himachal Pradesh to sell it as he finds it difficult to maintain this structure. Godhla Fort  Another interesting article to be seen in possession of the Thakur is Sharab Raldi, i.e., "the sword of wisdom" as Sharab means wisdom and Raldi means a sword. Sword of wisdom (sanskrit Pragya Kharga) has great importance among the Tibetans. Manjushri is the Tibetaa god of wisdom and he is always portrayed carrying this sword of wisdom in his right hand. Image of Deity who   blessed the Thakur with the wisdom sword Image the wisdom sword Pile of  Thakur’s arrows According to the Thakur this sword was given to one of his ancestors by His Holiness Dalai Lama when that ancestor had fled to Tibet sick of the designs of the local people. This sword seems to have been built in the Toledo technique of spain. This technique is stated to be superior to the Sheffield technique. In Toledo thin steel wires are beaten with a hammer to obtain the desired shape of a sword or other like weapon. One can really observe thin lines in the length of the sword. Earlier this sword was never shown to the outsiders but now an insistent visitor can see this prize sword of the Thakur. Distant view of Gompa of Gondala The village gompa is of historical importance. Every year in the month of July a fair is held for two days. On the first day the famous Chham  or devil dance is enacted. Large number of people turn out to witness the performance.  Near the Govt School there is a boulder bearing greater than life size rock carvings of some deities. Local people ascribe the work to the Pandavas of the great epic the Mahabharata. But these figures resemble some Buddhist deities, which is yet to be ascertained.  In Gondhla there is a P.W.D. rest house which is surrounded by willows. No eating joint is available in the village. TANDI Confluence of Rivers Chandra and Bhaga After the Confluence  the  River is called Chardbagha (Chenab) The village is situated above the confluence of the rivers Chandra and Bhaga in the Pattan valley some 7 kms away from Keylong. Revenue and settlement records reveal that Tandi was founded by Raja Rana Chand Ram under the name of Chandi which over the years got corrupted into Tandi.  There are atleast three mythological stories connected with Tandi. First, Tandi is believed to means Tan Dehi,i.e., giving up of the body. This is associated with Draupadi, the wife of Pandav. as, who left her body at this place. Second, this is believed that Rishi Vashishtha who meditated near the hot water springs of Manali was cremated at this confluence; hence named Tandi, i.e., body consumed. According to the third, Chandra and Bhaga were son and daughter of the Moon and the Sun gods respectively. They were in love with each other. To perform their celestial marriage they decided to climb the Baralacha-la and from there run in opposite directions encircling a vast tract of Lahaul. Thus flowing south-east and south-west both met at Tandi to enter the wedlock. Another village above the confluence is Gushal which looks extermely beautiful when seen from Tupchiling or Kargha. The confluence itself is best seen from Tupchiling, Kargha -and Ghushal. AtTandi there is a last Petrol Bunk and then the  next petrol Bunk is at LEH, which is 365 Km away from Tandi View of Last Fuel Pump at Tandi So, we had to fill fuel into our car to its full capacity. After refilling fuel we drove towards Keylong. To continue our journey we had to drive over a strong steel bridge that is built across Baga River.      Add caption The above picture is of the temporary make shift road which connects at a junction for Keylong and Udaipur, after crossing Tandi bridge . Just before Keylong there comes a junction of roads, where one road leads to Keylong and the other one leads to Udaipur. Though we had to go to Keylong, but by mistake I took the road which goes to Udaipur and Trilokinath town that is about 60Km from this junction at Tandi. I didn’t realize that I have committed a blunder by taking the wrong road. As we drove on, the road was miserably bad. It was full of deep potholes, badly worn-out with endless stretches of shooting stones areas.  I was suppose to be driving on this road But by mistake we drove on this above route Below pictures are just to show you guys how dangerous the leading road to Udaipur and Trilokinath is All the above pictures are just to show how dangerous the road it is to go to Udaipur and Trilokinath Just to cover 60Km we took nearly three hour. Somehow we managed to reach Udaipur town. And the best joke is that we didn't realise that we were driving on the wrong track. By the time we reached Udaipur town, it was past lunch time. As we were having our lunch, one of the co-customer at the restaurant asked us were we heading to. We said that we were going to Leh Via keylong. Listening to us he had a hearty laugh and told us that to go to Leh, we had taken the wrong road. He told us if we traveled another one and half hour further on this road, it would reach us to district Chamba that is near Dalhoise / Pathankot. We were shocked to listen to him.   So in this process of driving up and down on the wrong road we lost about six hours. Anyway since we had reached Udaipur, we decided that for the night we would stay here at Udaipur Forest Guest House. Having come here we thought of visiting Udaipur and Trilokinath also.  Day (14), 23rd July 2015 Udaipur & Trilokinath The Forest Guest house where we stayed for the Night This sub-divisional headquaters is situated at the junction of the mighty Mayar nullah with the main river Chandrabhaga. Situated 53 kms away from Keylong, earlier this village was known as Margul or Markul. Around 1695 it was renamed Udaipur when Raja Udai Singh of Chamba (1690-172'8) raised it to the status of a district centre in the Chamba-Lahaul which his father Chatter Singh had annexed to his Chamba state.  Good kail-blue pine forests can be seen all around the village. Since the altitude is low, apples, walnuts, apricots, etc. are grown in the area. This village is warm but avalanches-prone; the latter making it unsuitable for district headquaters. However Udaipur offers the most thickly forested and green scenery in Lahaul. Hermann Goetz who visited this area in 1939 complimented the natural charm of this place by comparing its scenery to the Swiss scenery. All the above pictures are just to show how beautiful Udaipur and Trilokinath villages are In Kashmiri Language this straw woven slippers are called as “PUL-HOOR” Around Udaipur and Trilokinath Stacks of Potatoes This place attracts a lot of tourists and pilgrims to its two unique temples, namely, Trilokinath and Markula Devi temples. Trilokinath temple is representative of the Kashmiri-Kannauj style of, Lalitaditya of Kashmir (725-756). Most of the Trilokinath temple is of much later period, but the column bases of the original porch of the sanctuary are of a very special type characteristic of the reign of Lalitaditya. This Shiva temple was transformed into a Buddhist shrine by Padma Sambhava. However, according to Goetz its present Lamaistic image of Avalokiteshvara-Trilokinath cannot be earlier than the 12th C. This temple continues to attract both the Hindu and the Buddhist pilgrims. In the centre of the compound one can still see the Nandi Bull of Lord Shiva. There is also a drain in a wall of the temple at the level of the platform in the sanctorum which was probably built at the time of construction to drain out the water or milk which was poured over the Shiva. Pictures of Trilokinath Temple The temple is built in the classical style introduced in the hills in the 7th and 8th C. As is typical to the style this temple consists of a curvilinear stone tower (shikhara) crowned with the characteristic 'amalka' (imitating a segmented gourd). Like plains there is no pillared hall (mandapa) in the hills perhaps owing to non-availability of clear ground. Enterance to Trilokinath Temple. Every year in the month of August a festival named Pauri is held there for three days when followers of both religions gather to offer prayers. Marikula Mata Temple at Udaipur Entrance of Marikula Mata Temple at Udaipur The Markula Devi temple goes back to Ajayvarman's reign in Kashmir, though no original work of so early a date survives. But part of the Markula temple has been copied during repairs in the 11/12th and 16th C. The phase of Kashmiri art in the 11th and 12th C in its transition to the Lamaistic art of Western Tibet is represented by the inner facade of the temple; main characteristic of this transitional phase being three headed Vishnu images.  Markula's wood carvings belong to two different periods, the earlier one consisting of the facade of the sanctum sanctorum and the ceiling and four main pillars of the mandapa; arid the later one consisting of two additional pillars, the dwarpala statues on both sides of the facade, window panels and the architraves supporting the ceiling. The exterior of the temple is most ordinary as it had to be renewed time and again because of vagaries of nature. The temple is the usual structure of timber-bonded stone. The temple is covered with a steep gable roof of wooden shingles in a steep pyramid looking like the Shikhara temples in the plains. The interior, however, is rich in artistic quality. The wall panels depict scenes from the Mahabharata, Ramayana, Sunderkand, Yuddhakand, grant of ground by Raja Bali to Vaaman, three headed incarnation of Lord Vishnu, Churning of the ocean (Samudramanthan)Amritpaan, etc. The ceiling consists of nine panels of different size and shape. Eight of these border the big centre piece. The centre piece, is in the Lantern style. The 'kirtimukha' masks on this centre piece are characteristic of the 7th and 8th C. Four figural panels on the four basic directions depict Gandharvas busy with their mates and holding objects like crowns, bracelets, jewels and charnaras, etc. Their dance, poses are those of the Bharta Natya andthe costumes resemble the late Gupta period. Also shown are Nataraj  and Gauri with dancing Ganas. Shiva on both sides is flanked by his alter egos, the Bhairavas. The next panel deviates from the Hindu pantheon or myth for it represents the "Assault of Mara". In the centre Buddha is shown sitting on the Vajrasana inBhumisparshasana calling the Earth goddess to witness his victory over Mara or the god of Lust and death. The facade of the temple is most richly, elaborately and intricately carved. The niches of the door jambs have been carved into complicated gables of late Kashmiri style. The facade displays, the Ganga, the Yamuna, several Yakshas and. Kinnars, ten incarnations of Lord Vishnu the Navgrahas and Lord Surya (the sun god). The Sun god is repeatedly shown on his chariot drawn by seven horses making it explicit that the temple was dedicated to Lord Surya. The silver idol of Kali in her aspect as Mahishasurmardini was installed by Thakur Himpala in 1569-70. The statue was cast by one Panjamanaka Jinaka from Bhadravah. The workmanship of the statue cannot be called exquisite because the bodies of the goddess and the buffallo look bloated. The statue head is too big and her Crown resembles the ceremonial headgear of a Tibetan lama. The enclosing frame suggests brass idols of the 15th and 16th C. from Rajasthan, the top of it-the backs of early Moghul thrones. The impact of the Moghul and Rajput styles is understandable which perhaps penetrated via Balor which then had some control over Bhadravah. The Tibetan element is also not surprising in a frontier area like Lahaul where Tibetan Lahaulis treat Markula Devi as rDo-rje phag-mo (sanskrit Vajravarahi). Previous to this installation Lahaul had been for several centuries under the Ladakhi supremacy, and it was then that the Lamaistic sculpture was introduced. At the time of its reconversion into a Hindu shrine it was natural to seIect an image of Kali because of its superficial similarity to Vajravarahi. The poor and uneducated local population could hardly make any distinction between the Lamaistic and the Hindu interpretations of the great goddess. This Hindu revivalist style was patronised by Raja Pratap Singh (1558-82) of Chamba. Selection of episodes from the Ramayana and Mahabharata is typical to this style.  Local population believes this temple to be the work of the master craftsman who built the famous Hidimba Temple at Manali for Bahadur Singh of Kullu. Historically this theory sounds plausible because Pratap Singh was the son-in-law and close fried and ally of Bahadur Singh. There is striking similarity between many figures and other details of the later wood carvings to the relief's of the Hidimba Devi Temple. This unique shrine is the last wooden temple built fundamentally in the tradition of the early 8th C. This is a must-visit place. After finishing visiting both Udaipur  and Trilokinath temples, and after finishing lunch, we drove staright towards Jispa via Keylong.  The next chapter of my Blog to be continued.